International exhibition for industrial machinery and technologies

Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION

The Vera Nedkova House Museum ‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists along with Nedkova’s paintings. Displayed in the cosy atmosphere marked by Vera Nedkova’s intellectual and creative presence, the six photographs by Yana Lozeva show images of women with a strong and memorable individuality. Despite the apparent incompatibility of the two artists in their creative pursuits and concepts, the photographs correspond in an elegant way with the paintings in the museum’s interior. ‘We were looking for expressiveness, not so much external as internal,’ Vera Nedkova stated in her memoirs about her own art. In her early works, she was moved by the portrait and its depiction in a non-standard style in a space devoid of details.
Taken over the past two years, the photographs have captured brief and elusive moments and states of the subjects portrayed. The female images seem to sink into space in the manner of a watercolour, with their blurred contours and transitions between black and white. With her keenness of observation, Yana Lozeva is intrigued by the mysteriousness of the ordinary, by the moment of lost control and that specificity of the ‘out-of-hand’ framing, which sneaks inexplicably and imperceptibly in to lie at the base of the ‘Anacrusis’ exhibition.

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’

Photography exhibition by Konstantin Vulkov
Kvadrat 500
Try, fall down, get up, try again. Make friends with pain.
Smile. You’ve made friends with your body. Now you know more about yourself. This makes you confident to continue, take risks and reach a new level you had only dreamt of. You now look at yourself and the world around you with new eyes. You never laugh at the amateurish efforts of others and light-heartedly share your knowledge. This is what nobility means. In skateboarding the little ones can also be great. Every person to take off from the ground in flight for even seconds has overcome their fears and knows what it means to rely on nobody but yourself.
The photo series of skate parks by Konstantin Vulkov is a major lesson in social photography. Not sports, nor portrait, but documentary – a visual story of street culture with locations in Cape Town and Barcelona, Manchester and Burgas, Sofia and Tsarevo. The images are extraordinary encounters with people from different generations who all practise this sport. They were taken in social environments that fought to be recognized by society – transitioning from a “delinquent bunch” into “Olympic hopefuls”. From thug appearances with skateboards in public spaces to training in purpose-built skate parks.
Accelerate-soar-land. Konstantin Vulkov does not neglect any of the three stages. He does not use effects. He documents this environment with its culture. He has gained the trust of everyone at the ramp; nobody is posing. This exhibition is an account of skateboarding – a sport used to solve social problems in different societies. A sport where there are no social boundaries and which, in its democratic essence, resolves psychological issues. A sport where freedom is personal, yet also shared with anyone with the courage to stand up for it.
Marieta Tsenova - Exhibition curator

“Sandro – Prince Alexander von Battenberg. A European Destiny” is an exhibition with unknown facts and photos from the life of the first Bulgarian ruler after the Liberation from Turkish occupation in 1878. It is the result of three years of research through the archives and family collections of the Heiligenberg Jügenheim Foundation (the name of the prince’s family castle).
In Bulgaria, the Values Foundation of Antonina Stoyanova, wife of President Petar Stoyanov (1997-2002) presents the exhibition. With the sponsorship of the Sofia Municipality 28 panels with photos and texts in Bulgarian will be displayed in the Ballroom on the second floor of the Palace . (The English and German versions of each can be read via QR codes.)
The exhibition will be opened on September 5 at 6 p.m. and will remain at the National Gallery until October 29.

Under the Auspices of Mr Rumen Radev, President of the Republic of Bulgaria and with the Financial Support of the Ministry of Culture
The selected by the curators Boryana Valchanova and Vessela Christova-Radoeva works follow the major stylistic and thematic threads in the artist’s output up to 1951, when he suffered a severe stroke that paralysed his right side, and the changes in his pictorial expression after he began painting again, but now with his left hand.
If we were to characterise in a single word the remarkable art of Zlatyu Boyadzhiev with its broad range of themes, subjects and plastic searches, the most appropriate term would be ‘messages’. We would with difficulty find a painting that did not exude innermost suggestions springing from the rich spiritual make-up and life-path of the artist.
This is an oeuvre of messages about patriotism and filial attachment, messages about morality, honour and duty, messages about the eternal and intransient, about the will of the spirit, strength of character and the pursuit of uniqueness.
Zlatyu Boyadzhiev’s oeuvre is an encapsulation of the philosophical meaning of life, of the relationship between man and nature, and the relations between people. Without cliché, superficial narrativity, or chiding. Sometimes with a peculiar arbitrariness of interpretation that is not, however, an artistic pose, but an immanent spiritual attitude. An exceptionally talented and vital artist, he even, in his paintings, overturns the usual logic of time, space, existence and human nature. Across twelve galleries on two floors of the Palace, we present paintings, with the preparatory sketches for three of the most emblematic examples among them: ‘Wedding in Brezovo’ (1939), ‘Brezovo Shepherds’ (1941) and ‘In the Field/After Ploughing’ (1942); documentary material and photographs provided by the artist’s heirs and loaned from the archives of the Union of Bulgarian Artists. Artworks from the following sources are included: the National Gallery, Sofia City Art Gallery; the galleries in Blagoevgrad, Varna, Vidin, Gabrovo, Kazanlak, Pazardzhik, Pernik, Plovdiv, Ruse, Stara Zagora and Yambol; the State Institute of Culture to the Minister of Foreign Affairs; and from the heirs of Zlatyu Boyadzhiev; from UBB and Litex Commerce and private collections. ‘101 Portraits’ (2006), a documentary film produced by BNT Plovdiv, will be screened in one of the halls. The spatial design is by Kirill Ass and Nadia Korbut, with graphic design by Idea Design Studio. Visitors are, for the first time, to be offered an individual audio guide for nineteen of the paintings on display, with narrative by art critics from the National Gallery; this innovative bilingual product was developed by Our Heritage. The bilingual catalogue, translated into English by Nigrita Davies, will be presented on the eve of Zlatyu Boyadzhiev’s birth date, 22 October. The exhibition programme includes tours led by the curators and a presentation on the artist’s technology by Milena Donkova, the gallery’s chief restorer.

Sofia Arsenal – Museum of Contemporary Art
NOMINATED ARTWORKS
Bora Petkova, Borjana Ventzislavova, Daniela Kostova, Elizabeth Thallauer, Leda Starcheva, Leda Vaneva, Maria Nalbantova, Marta Djourina, Nevena Ekimova and Rada Boukova
Opening on 20 September, Wednesday, 18.30
The European Parliament’s art collection was started in 1980 on the initiative of Simone Veil, the first President of the directly elected European Parliament.
The European Parliament is proud of the cultural diversity of the European Union and supports all actions for enhancing it. The collection aims to develop at European level the traditional practice of national parliaments to purchase and promote contemporary works of art that present the national artistic achievements.
For over forty years, the European Parliament has acquired more than 500 works of art, representative of EU member states, putting the spotlight on young promising artists at the beginning of their career. The EP collection has been enriched with over 120 donations from national parliaments and different organisations.
Thanks to the new EU member states the collection has grown significantly. In 2011 the European Parliament acquired artworks from Bulgaria and Romania. The new acquisitions from Bulgarian artists were presented in Sofia Arsenal – Museum for Contemporary Art in the same year.
The European Parliament and its Liaison Office in Bulgaria are now running a selection process of new acquisitions for the art collection by approaching independent experts as well as experts from leading cultural institutions.
Nia Tabakova (The State Institute for Culture under the Minister of Foreign Affairs), Dolores Dilova (The Union of Bulgarian Artists), Martin Kostashki (The National Gallery) and Venelin Shurelov (The National Academy of Arts) have nominated authors, adhering to the criteria and requirements for the selection of artworks for the acquisition procedure, namely: to be female artists from Bulgaria who work with contemporary artistic techniques and explore present-day themes and concerns that resonate with European values. The proposed artists are established both in Bulgaria and abroad. They are talented and have a poignant sensitivity to global problems.
After the exhibition in Sofia the Artistic Committee in Brussels will determine which of the pre-selected works will be purchased for the art collection of the European Parliament and they will subsequently be exhibited on its premises in Strasbourg, Brussels and Luxembourg.

Kvadrat 500 It is magical to experience the written word, but even more fascinating to complement it with drawings. In the art of illustration, text and image go hand in hand, enclosed between the covers of a book. Ivan Kyosev (1933–1994) was one of the emblematic artists who devoted their creative energy and talent to illustration, book design and typography. Born in Burgas, he graduated in Illustration from the Academy of Arts in Sofia in 1957, under Prof. Iliya Beshkov. Ivan Kyosev created numerous memorable images that remain engraved in the minds of readers of all ages. His illustrations demonstrate a remarkable precision of execution, an affinity for detail, attention to the text and a rich imagination.
In his drawings, the artist frequently fits the entire literary text into the small compositional area. In a delicate and skilful way, he interweaves iconographic examples, details that draw us into the epoch described in the content, or teasing attributes characteristic of the time in which the illustrations were created. All this diversity is presented to inquisitive readers in colour or in black and white in such a way that they can share the pleasure the illustrator felt in creating his works.
Viewed with the benefit of hindsight, Ivan Kyosev’s illustrations are relevant even today; they evoke fond memories of a bygone time and our enjoyment of the contact with literary works.

Bulgaria Concert Hall Soloist/s
Ensemble
National Philharmonic Choir
Program
César Franck - Panis Angelicus